This research roundtable studies the transgressive potential of color when employed by people of color — its potential to challenge the fixity of racial hierarchies and subvert hegemonic structures.
On Wednesday, April 27, Professor Gretel Rodríguez appears as a panelist in the “The Architecture of Imperialism: A Roundtable at the Periphery of Early Empires.”
The On Speculation lecture series continues with educator, researcher, and curator, Dr. Mpho Matsipa. She presents “Black Time and African Spatialities” on Wednesday, April 6, 2022 at 5:30 pm, in Petteruti Lounge.
On March 23, 2022, Professor Gretel Rodríguez was named one of the ten 2022 recipients of the Getty/ACLS Postdoctoral Fellowship in the History of Art.
Professor Arabindan-Kesson uses historical case studies and contemporary art to analyze the visual relationship between the cotton trade and the representation of the Black body in U.S. culture.
HIAA Professor Holly Shaffer has edited the fifty-first issue of Ars Orientalis, published by the Freer and Sackler Galleries at Smithsonian National Museum of Asian Art, and the University of Michigan.
The Society of Architectural Historians (SAH) announces that Professor Itohan Osayimwese will deliver the 2022 Eduard F. Sekler Talk at the SAH 2022 Annual International Conference in Pittsburgh, Pennsylvania.
The Department applauds these students for their excellent projects, and celebrates the innovative leadership of Professor Osayimwese and graduate TAs, Pamudu Tennakoon and Dandan Xu.
On December 4, Professor Jeffrey Muller’s class, “Dutch and Flemish Art: Visual Culture of the Netherlands in the Seventeenth Century,” paid a visit to the Museum of Fine Arts, Boston.
The project maintains that such transparency is essential to both complicating the dominant narratives of the field, and understanding the current terrain curators face.
The AIIS Committee lauded Professor Shaffer for her “imaginative use of a ‘grafted arts’ framework to examine the artistic creations and collections that resulted from the intermixing of the Marathas and the British in the late eighteenth and early nineteenth centuries.”
Divya Rao Heffley, the Associate Director for the Office of Public Art, works with artists and communities on residencies and commissions that address a range of contemporary issues, that seek to foster social justice and cultural equity in public spaces.
On February 11 at 5 pm, our department will host a reception for faculty, staff, alumni and friends. Please email Nancy_Safian@brown.edu for a link to the session.
As our concentration has grown we've been able to welcome new faculty, including Craig Barton '78, our department's first Professor of the Practice in Architecture.
Hui-Hung Chen is currently a full professor in the Department of History at National Taiwan University, Taipei, Taiwan. She received her Ph.D. from the Department of History of Art and Architecture, Brown University, U.S., in 2004. She was awarded a Visiting Scholar of the Harvard Yenching Institute, U.S., in 2013-2014.
Sarah Moran recently edited the book, Women and Gender in the Early Modern Low Countries, 1500-1750 (Brill, 2019) which brings together research on women and gender across the Low Countries, a culturally contiguous region that was split by the Eighty Years' War into the Protestant Dutch Republic in the North and the Spanish-controlled, Catholic Hapsburg Netherlands in the South. Sarah is Associate Professor of Early Modern Art History at the University of Utrecht.
Recent movements by Black and Indigenous activists have highlighted the link between many modern monuments, colonialism, and white supremacy. Two upcoming conversations at Brown will feature conversations about this topic.